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THE SOCIAL NETWORK (D. Fincher, 2010) VENICE

Mark Zuckerberg (Jesse Eisenberg) is studying at Harvard, labeled a nerd, does not have many friends. When his girlfriend leaves him, in spite of her writing on her blog and create a site, Facemash , which publishes pictures of girls stolen archives university and invited to vote for the most sexually attractive. In just two hours of hits that gets miliaia will cost you a fine university, but an immediate reputation on campus. Approached by two wealthy students with the proposal to create a social network elitist, Zuckerberg had the idea to create one open to all. Thefacebook is a quick success, but it will cost Mark a long process for the allocation of rights and will be gradually enriched by the employment of many donors and collaborators (among them, absolutely worthy of praise, Justin Timberlake in the role of Sean Parker, creator of Napster ). But will invent a site where you connect to friends, to have friends?!

Engine facebook comes from the desire to know everything (or at least everything that is on the surface) of friends and acquaintances. A fictitious reality that becomes the only knowable. Zuckerberg is a voyeuristic desire to rein in the name of a channel of social assumptions. Fincher built the first film to put in the middle of internet history. prefers a visual narrative on the basis of the characters, a centripetal force gradually leads Zuckerberg and the apex of the spiral structure, as employees are not, her picture takes shape becoming more ambiguous. Flash back to real life fit into the plot of a tight and finely articulated process in the script Aaron Sorkin, and as the story reaches its climax, the investigation of the character delves deeper and deeper until the last image of Zuckerberg, who is only that of a boy: waiting for Erica accept his friend request, when it would be more correct to apologize.

The Social Network has dark and disturbing tone of a civilization that is caging alone. Brought to the screen a lot more dangerous reality of virtual worlds remedies proposed by many science fiction films (Matrix on top). Loneliness the Web is the ultimate intrinsic failure of a search for communication failure in everyday life. Fincher does not give in to the danger of making a film about the relationship problems of young people today, even if the theme is at the heart of the matter, but well outlines the features of a global society which is struggling to create peaceful relations, unable to communicate. And if Eisenberg's face betrays no emotion at the same time venting repressed all the words on his blog, the same carriage with which transcribe a line of html code. No effect, until the result does not come. On the Internet you do not write with a pencil, but with the ink ...

RECIPE
looking for a recipe, but every idea seemed to me absolutely trivial, and poorly adapted to film. So I've got a little thought and I turned to a little help ... to facebook! So I found a variant gourmet usual American hot dog.
http://www.facebook.com/ # / notes/-ricette/snack-le-crepes-hot-dog/127054920684587

CREPES HOT DOG

4 EGGS 2 CUPS OF COFFEE MEAL TYPE 00

4 Coffee Cups MILK

2 LARGE HOT DOG

salt

BUTTER

FONTINA

mustard or ketchup (to taste)

In a bowl, pour the eggs with two pinches of salt. Add the flour gradually, working it all with an electric mixer. Gradually add the milk. In a pan for crepes melt over medium-low heat a small amount of butter (a bit of a knife) and pour half a ladle of batter, stir the pan on itself so that you have the dough well on the surface before solidifying. The crepe is ready when the edges are detached from the pan, rigiratela for a few seconds and place them on a plate. Keep up with the other crepes, add the butter, but every 2 or 3 times. Aside from grilled hot dogs. Sprinkle the crepes with cheese, sausage and wrap around again hot, accompanied by the sauce of your choice.