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THE ROAD (J. Hillcoat, 2009) are all well

In an apocalyptic future in which the inexorable nature of glaciation dies, a father (Viggo Mortensen) and son (Kodi Smit-McPhee) traveling on foot to the south in the hope to find a warmer climate, struggle to survive hunger and attacks by cannibals.

Based on the novel by Cormac McCarthy, The Road looks like a horror. Defined too depressing to be deployed, arrived very late in Italian cinemas. Draws on more fears based ecological to emerge in an experiment nightmare. It would potentially have seen everything, except that John Hillcoat deliberately renounces the fast-paced horror, to a soundtrack bulky, buxom women running at breakneck speed with his shirt torn to seize the pretext of "gender", tilt, and make it even more distressing and agoraphobic.

An incipit enigmatic foreshadows the disaster, without explaining the cause nor the manner in which the destruction began. The voice of the protagonist mentions the clock stopped after a light in the sky. And then the nightmare. A father and son in a way. Abandoned in an area without horizons, where the traces of memories appear as a single item of punctuation (the wonderful flashbacks in which it appears Charlize Theron as the mother committed suicide), when it seems the camera has forgotten about them. The time and space boundaries are invisible, and the world, painting has no rule. The living are dead and the dead are the fragment of life that was once bright.

Viggo Mortensen is the father. Tried and credible in the metamorphosis physical and emotional expressiveness and rude, it protects the child in the apparent absurdity of being able to be rescued. Although it seems still unable to feel the feelings, lives a modest and religious suffocated. It seems want to declare that in a world that still can be as pure as giving birth to a son, can not but be the hope of finding salvation.

Surely you can label in the vein of "post-apocalyptic," but frighteningly real to make this film is the absence of filters to soften the harshness. The father apologized to his son why the sea is not blue but gray, aware of the guilt of man over nature, can not be expiated. A horror film that has its roots in the sins of mankind, and do not care at all times to distort the narrative in a structure that speaks to the real-time which is coming destruction.

RECIPE

forget that this is an apocalyptic film in which the search for food, heat and petrol are the main engine. Tonight's focus on something completely different. E 'on Christmas Eve. Whether you are Catholic or not, the opportunity to meet with friends and family are always welcome. So, forget the tragedies and a Christmas cake concediamoci Calabria (not the recipe, handed down in my house, because it is a "secret", but that's okay!).

I CANNARICOLI

1 cup extra virgin olive oil
1 / 2 cup white wine
1 / 2 cup sugar
a pinch of cinnamon
white flour as needed
honey jar

Boil all the ingredients except the farina.Lasciare then cool and add enough flour to form a dough hard enough can be laid out with sticks in their hands. Cut as to make the dumplings, a bit bigger and get away with using your fingers to support the bottom of a wicker basket in order not to imprint the pattern on the biscuit decorativo.Friggere in plenty of oil and once drained, preserved, one by one honey just scaldato.Per jam of cannaricoli traditionally used in addition to honey bees also honey, figs or a gelatin obtained from fresh fruit prepared in the summer and preserved until Christmas because of the cannaricoli.

http://www.saleepepequantobasta.com/

Minnetonka True To Size

(K. Jones, 2009)

Frank Goode (Robert DeNiro) has worked all his life as a laborer in the installation of telephone cables, it is now widower for a few months. Waits for the four children in order to finally find all around the same table. But one after another, arguing defiladed embarrassed. Frank wants to make sure that children are well and despite the health did not allow for air travel, partly by bus to to visit each of them. Discover that you really do not know how to believe.

Frank has played for the health protection of the telephone wires. And the metaphor of the communications man guarantor of others but unable to communicate back as leitmotif throughout his narration. De Niro is tenderness in the role of a father who does not surrender to solitude. Light years away from the great past movies, performing that part of himself that, in recent years, had emerged mainly in comic roles of the family saga that begins with Arrested .

Far from ripping smiles and remake of the lesser known films Giuseppe Tornatore, are all well , resumes and reworks the theme of travel, rather than inner journey becomes a sort of adventure on the road the third age in which the protagonist could go for broke. Tired and worn down by loneliness and illness, along the states and every city bus in the reserves a different. Sometimes aloof, sometimes ruthless, the city is the wall behind which lurks the truth that was hidden for a long time to Frank.

Father too demanding and protective, having come to recognize that his children are now adults, and to give some light on the tragedy involving an impending final conciliatory and reassuring. Around a table laden with a very expensive wine and new members of the family, everything is resolved with a smile.

A season all, sees a stellar cast in the role of their children Drew Barrymore, Kate Beckinsale, Sam Rockwell. A domain is the melancholy, mixed with tenderness and feeling sorry for the poor old Frank. Feeling too urgent because of the film remains something to remember.

RECIPE

How many times, watching American movies, have you asked "But how will the turkey stuffing for Thanksgiving? In the film could not miss this opportunity to thank and be reconciled. And since Christmas is coming and we like to import as much food traditions and-especially-from the rest of the world, here's the recipe for turkey.

TURKEY STUFFING

a turkey-sized (3-4 kgs)

600 g of boiled and peeled chestnuts

250 g butter 250 g

of stale bread crumbs

1 white onion

60 g sultanas 100 g

celery salt and pepper

Create a composite rather consistent with boiled chestnuts and reduced the bread crumbs. Cut the celery into chunks and onion into thin slices and let them jump in the butter that you melted in a pan capiente.Unite enough vegetables and melted butter to the mixture of chestnuts, add raisins and a pan that can prezzemolo.Preparate contain the whole turkey and having the edges high enough to recover the cooking juices. With a bit of butter spread anointing both internal and external walls of the turkey and proceed with filling, making sure to evenly distribute the filling by placing and compacting the filling with the mani.Al end with string and a food August stout sew the turkey to avoid spills of the filling during cooking. Before cooking the turkey is squatting, you have to tie with string legs along the chest to keep it compact while cooking. Bake in a preheated oven at 180 degrees and setting up a spoon and a brush to spread the sauce on the turkey that will be formed. Repeat every 15-20 minutes. Prick the fleshy parts to make sure that the contours cuociano.Per here you can indulge, baked potatoes, sauteed vegetables, or to stay loyal to the American tradition of boiled corn.
http://www.odealvino.com/

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American Beauty (S. Mendes, 1999)

Lester Burnham (Kevin Spacey) lives an ordinary life in any American town. With him live his wife Carolyn (Annette Bening), a real estate agent haunted by the anxiety of success, and her teenage daughter Jane (Thora Birch). Knowledge of Angela (Mena Suvari) Lester awakens dormant desires, and is the first step to question his life.

Success has to do with the social role that you get to play and, before that, with education in the family. Values \u200b\u200bthat lie and move on to a minefield and dall'incomunicabilità from coming. This is the conceptual amalgam hosting American Beauty. Far from being conscious analysis of American society is transformed into a pained and thoughtful reflection on the transience of life in all its grotesque and incomparable poetry.

Since there is the title misleading. The "American Beauty" evokes a social portrait of the American middle class, the stereotype of terraced houses and the girls cheerleader. But american beauty is not that the name of the roses grown by Carolyn obsessively and passionately dreaming of Lester. A symbol, an index, an icon. The rose gradually become classically passion and perseverance; allude to the presence or real-longed-for Angela, are the interior color to the scenery.

roses And you start to get lost in thinking about time. Ephemeral par excellence, how the hell will they be so perfect?!? What is their secret if not the same effimericità?!? And Carolyn continues to grow them again and again, nell'estenuante trying to do his best to capture and preserve the state of perfection of joy.

Lester becomes infatuated with Angela: she embodies the beauty of the bud, the "On Saturday, the Village," the moment of opportunity before flowering, the first pure desire to have lost it.

Ricky (Wes Bentley) takes everything, especially what is going to die. The infinite beauty of the passing world escape the tangle of travelers who populate his life. So get to keep itself a small shrine for lost time, no matter what anyone ever look at those tapes, it's misunderstood image with no value beyond that have been immortalized.

Jane is the typical teenager who does not find a place or a time in which to recover, confused by the absence of the polar opposite of who suffers the rules as Colonel Fitts (Chris Cooper).

Human time sinking to their deaths. Seems the most trivial of thoughts to think that only death will bring a little clarity, peace, and a different value to the real life or living. Have you ever known someone who died, Jane? The question Ricky. Among time-shifted that blame for gun and shot the photo in black and white, it is accepted with a melancholy smile that only death can give full awareness of the beauty of the time in the making.

RECIPE

DOLCETTI pistachio and ROSE

For the syrup:

110 g of sugar

3 cm cinnamon stick

1 teaspoon lemon juice

1 teaspoon rose water

For the cookies:

180 g fine semolina

30 g flour White

120 g of sugar

1 tsp baking powder

50 g finely chopped pistachios

1, 4 cups milk

60 g melted butter

Prepare syrup with sugar, the cinnamon stick and 1.2 liters of water, cook the syrup for about ten minutes. In a bowl combine the flour, semolina, sugar, baking powder, pistachios, butter or oil and stir vigorously for a well mixed dough. Pour into a roasting pan of approximately 15x20 cm you have lined with special paper, level well and bake in preheated oven at 170 degrees for about forty minutes. When cooked remove from oven and immediately pour over the syrup, to which you have removed the cinnamon stick and add the rose water and lemon juice. Let cool and cut rhombus, squares, triangles.

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PURPLE SEA (D. de Mallorca, 2009)

Angela (Valeria Solarino) and Sarah (Isabella Ragonese) are childhood friends in the mid-nineteenth century Sicily. The war will separate and then find them as adults in the same places shared by girls. The love between the two, however, will have to fight with social conventions and, in the case of Angela, with a violent father and authoritarian.

The most interesting aspect of the film lies in the use of the voyeuristic camera, so evident in the numerous sex scenes. A perception secret, stolen, bodies sculptures of the characters is returned to the eye, where the shadow is changed upon exposure to light and try to protect them. But it becomes aggressive in the scenes that take place in the home in Angela's house, where the same shadow arrives to bury the body that had just caressed. Also nice counterpoint rock curated by Gianna Nannini.

Someone spoke of Verga atmosphere in the staging of the Risorgimento Sicily between sky, sea mines and tuff. But in relation to the comparison, a naive simplification of known social risk around each other. If at home the shame can be silenced, it can hide, this is not in the opinion of neighbors. As I Malavoglia , for example, the voices of the inhabitants of 'Trezza is in contrast to the perennial rumors of the family. In the movie of Majorca the role of "social" is sketchy. Perhaps the director has seen fit to condense the narrative around the happiness of two lovers captured, but the figures that form the backdrop to remain too modest.

perhaps missing is the perception of scandal. The talented Valeria Solarino does everything by itself, well it juggles the male role, preserving the right degree of ambiguity and intense sensuality. But the dramatic intensity is lost in the tracks and too blurry shared between a father too, and sometimes lack credibility, an aunt quietly mysterious but very present, a distraught mother and ethereal, one (repeat) population dazed and falsely implicated.

Shit From the book of James King Pilati, the title refers to the Purple Sea fish that change sex for love. Too bad that, before the caption before the closing credits, the movie does not if they make no mention.

RECIPE

sailor looking for a recipe to be proposed in this context, but that had little to do with traditional regional dishes or existing customers. I found something very interesting and perhaps unusual for choosing a particular variety of rice.

black rice with squid and artichokes

180g Wild Rice 180g smoked squid

2 tomatoes 4 artichokes
100 ml.
vegetable broth 1 lemon 2 shallots


3 tablespoons extra virgin olive oil salt and pepper parsley

Soak rice in cold water for 8 hours. Once soaked, boil in water jumps to about 30 minutes, then drain it al dente. Clean the artichokes by removing the outer leaves and thorns turned the base with a boxcutter. Then leave them in water acidulated with lemon. Wash the tomatoes, blanch 1 minute, drain them in ice water and peel. Delete seeds and cut the flesh into cubes. Finely chop shallots and stufateli in a pan with oil. Add the artichokes, cut into thin slices and saute 3 minutes with salt, pepper and a little chopped parsley. Add the smoked squid, cut into strips and blended with the hot broth. Add the tomatoes and finally the rice. Jump all over high heat, place the chopped parsley and grated lemon peel.

http://www.ricettepesce.net/index.html

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SHADOW (F. Zampaglione, 2009)

David (Jake Muxworthy), a veteran of the war in Iraq, decides to go to the mountains to spend the rest His passion for motorcycles. In an inn meets for the first When Angeline (Karina Testa) who defends the advances harassing two hunters disreputable. For these and other reasons, the two boys are literally being hunted by hunters, although soon discover that the mountain area known as The Shadow , hide dangers far greater.

Contamination à gogo in a horror movie that winks to the fathers of the Italian kind. The oblong shape of Swimming Arquint rises as bogeyman of German Expressionism. An interesting monster, which is seen in the role of death (and here lies Bergman's The Seventh Seal complete with scythe and hood, while the car chase in the dark woods of the video reminds of Radiohead, Karma Police ) and resumes the victims with the camera. Why you need to attend to the horror of the medium that has conveyed, and reiterates the concept alluded to in the metaphor of the eye forced to watch without eyelid. also houses a film archive documentary about the abominations of humanity that makes the film footage of a star-like icon of evil.

Holes blacks signed on pizza in the history of film, and then Iraq, the photo of Bush between Hitler and Stalin, the emaciated bodies of the deported Jews ... the film press a little bit too much on historical complaint that ends up being redundant.

With the exception of moments "sick" in which the monster licks toads and picks up with the smell of burning flesh, unfortunately the rest lies dormant. Sledging on the ropes like that, but does not sink at any point. Very short in duration, could have convinced more, while the final dampens any possible resumption of pathos doing what ever horror film should do: explain.

War and guilt take away too breathless horror, but if we was a dialogue between these elements certainly profilatesi good insights into the narrative would find below. However, at the second attempt directing, Zampaglione seems determined to promise good results. We look confident.

RECIPE
For a horror we want strong flavors. In this case doubly strong because it is a horror that lacks spice, so you have to make up for a deficiency. A flat-blood ...

FILLET OF BEEF IN WALNUT SAUCE

4 fillets of beef at least 200g each

cream

walnuts to taste grated Parmesan

flour

butter pepper salt

Flour the fillets and cook them in butter, leaving the blood. Add salt, pepper and keep them warm. A bain-marie you warm a little butter, a tablespoon of cream, Parmesan and the chopped nuts. Pour hot sauce over the meat and serve.